Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen

Chua, Xian Jun (2013) Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen. [Final Year Project Report] (Unpublished)

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Abstract

This research applies the auteur theory to study a specific cinematic techniwue in the fils of Martin Scorsese: camera movement n the long take. Particular scenes with this type of shot in Mean Streets (1973), Goodfellas (1990), and Casino (1995) - all directed by Scorsese but using different cinematographers and writers - are analyzed to assess the true authorship of this camera movement. This research has then been applied in the production of a short film, in the same genre as the three afirementioned fils, featuring dynamic camera movement in a long take.

Item Type: Final Year Project Report
Additional Information: Project Report (B.Sc.) -- Universiti Malaysia Sarawak, 2013.
Uncontrolled Keywords: Cinematography, Martin Scorsese, camera movement, unimas, university, universiti, Borneo, Malaysia, Sarawak, Kuching, Samarahan, ipta, education, undergraduate, research, Universiti Malaysia Sarawak
Subjects: N Fine Arts > N Visual arts (General) For photography, see TR
Divisions: Academic Faculties, Institutes and Centres > Faculty of Applied and Creative Arts
Depositing User: Saman
Date Deposited: 20 Dec 2017 01:23
Last Modified: 20 Dec 2017 01:23
URI: http://ir.unimas.my/id/eprint/18972

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