Chua, Xian Jun (2013) Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen. [Final Year Project Report] (Unpublished)
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Abstract
This research applies the auteur theory to study a specific cinematic techniwue in the fils of Martin Scorsese: camera movement n the long take. Particular scenes with this type of shot in Mean Streets (1973), Goodfellas (1990), and Casino (1995) - all directed by Scorsese but using different cinematographers and writers - are analyzed to assess the true authorship of this camera movement. This research has then been applied in the production of a short film, in the same genre as the three afirementioned fils, featuring dynamic camera movement in a long take.
| Item Type: | Final Year Project Report |
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| Additional Information: | Project Report (B.Sc.) -- Universiti Malaysia Sarawak, 2013. |
| Uncontrolled Keywords: | Cinematography, Martin Scorsese, camera movement, unimas, university, universiti, Borneo, Malaysia, Sarawak, Kuching, Samarahan, ipta, education, undergraduate, research, Universiti Malaysia Sarawak |
| Subjects: | N Fine Arts > N Visual arts (General) For photography, see TR |
| Divisions: | Academic Faculties, Institutes and Centres > Faculty of Applied and Creative Arts Faculties, Institutes, Centres > Faculty of Applied and Creative Arts Academic Faculties, Institutes and Centres > Faculty of Applied and Creative Arts |
| Depositing User: | Saman |
| Date Deposited: | 20 Dec 2017 01:23 |
| Last Modified: | 01 Dec 2023 07:00 |
| URI: | http://ir.unimas.my/id/eprint/18972 |
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