Thia, Sock Siang and Toe, Andrew Yuan Loong (2018) Shanghai jazz music from 1930 TO 1949. International Journal of Applied and Creative Arts, 1 (1). pp. 1-12. ISSN 2636-9427
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Abstract
Jazz music emerged in Shanghai, China between the late 1920s and early 1930s. This paper documented and analysed Shanghai jazz music that was recorded from 1930 to 1949. Shanghai jazz music recorded and performed within this period was selected through stratified random sampling technique. All samples were analysed in terms of melody, harmony, rhythm and form. The results showed that Western diatonic scale was apparent in the melodies,instead of the usual Chinese pentatonic scale; primary chords were prevalent with minimal use of secondary chords in the harmony; the “oom-pah” rhythm in duple meter was most widely utilized; and the musical formhasevolved from the earlier through-composed song form to the later “AABA” form. In conclusion, this research characterised Shanghai jazz music that were recorded between 1930 to1949. It served to elevate the identity of this music and to prompt further research into Shanghai jazz music spanning from 1950s until present time.
| Item Type: | Article |
|---|---|
| Uncontrolled Keywords: | Shanghai, jazz music, music analysis, music identity, unimas, university, universiti, Borneo, Malaysia, Sarawak, Kuching, Samarahan, ipta, education, research, Universiti Malaysia Sarawak |
| Subjects: | M Music and Books on Music > M Music |
| Divisions: | Academic Faculties, Institutes and Centres > Faculty of Applied and Creative Arts Faculties, Institutes, Centres > Faculty of Applied and Creative Arts Academic Faculties, Institutes and Centres > Faculty of Applied and Creative Arts |
| Depositing User: | Abdul Hamid |
| Date Deposited: | 30 Jul 2018 06:56 |
| Last Modified: | 30 Jul 2018 06:56 |
| URI: | http://ir.unimas.my/id/eprint/20951 |
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