Hasnizam, Abdul Wahid (2013) Sound Art in Malaysia from a Malaysian Sound Artist Perspective. Malaysian Music Journal, 2 (2). pp. 118-128. ISSN 2232-1020
![[img]](http://ir.unimas.my/style/images/fileicons/text.png) |
PDF
Hasnizam.pdf Download (51kB) |
Abstract
Early exploration of the use of computers in Musical Instrument Digital Interface (MIDI), somehow allowed me to venture further into the domain of sound. Nothing much was known or noted in terms of the notion or historical perspectives of electroacoustic music in Malaysia. Unlike in the West, our music industry accommodated Western music, particularly popular music, but not experimental or electroacoustic music. The advancement in computer technology in music applications introduced new creative ideas, and its democratization permitted more creative exploration, technically and aesthetically. This paper is a recollection of the long journey of a Malaysian composer venturing into electroacoustic music.
| Item Type: | Article |
|---|---|
| Uncontrolled Keywords: | Musical Instrument Digital Interface, Music, Sound Art, Malaysia, UNIMAS, 2013, Universiti Malaysia Sarawak |
| Subjects: | N Fine Arts > N Visual arts (General) For photography, see TR |
| Divisions: | Academic Faculties, Institutes and Centres > Faculty of Applied and Creative Arts Faculties, Institutes, Centres > Faculty of Applied and Creative Arts Academic Faculties, Institutes and Centres > Faculty of Applied and Creative Arts |
| Depositing User: | Karen Kornalius |
| Date Deposited: | 15 Aug 2014 06:48 |
| Last Modified: | 25 Jan 2022 06:22 |
| URI: | http://ir.unimas.my/id/eprint/4388 |
Actions (For repository members only: login required)
 |
View Item |
